Title Dossierفيلم وثائقي

The Grateful Dead Movie

فيلم وثائقيموسيقى

The Grateful Dead performs live at Winterland in San Francisco in October 1974.

السنة

2025

المدة

2h 11m

IMDb

8.0

شاهد الآن

Poster Feed

طاقم العمل

Jerry Garcia

Director

Jerry Garcia

Self

Donna Godchaux

Self

طاقم العمل

Jerry Garcia

Director

Jerry Garcia

Self

Donna Godchaux

Self

Keith Godchaux

Self

Bill Graham

Self

Mickey Hart

Self

Bill Kreutzmann

Self

Phil Lesh

Self

Bob Weir

Self

الإعلان الترويجي

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اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

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𝐃𝐨𝐦𝐢𝐧𝐮𝐬🌈™Sep 6, 2025

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Nedu WazobiaMay 23, 2023

Hadn't watched it in 15 years. When it came out on Blu-Ray I had to get it - marvelous transfer. Wish I could say that I had seen them during this time period around '77. I was part of the crowd that jumped on the Dead bandwagon in the mid '80s. I was sixteen in '86 when 'In the Dark Came out'. The Dead were really popular at the high schools that I went to (Bullis, then George C. Marshall, VA) so I had been listening to bootlegs during the '84-'85 period when Jerry was in a coma and the band wasn't touring. Man, the day that the Dead were on the cover of Rolling Stone in '86 and they announced the Spring tour was one of the most exciting moments of my young life. I saw them probably 15 times over the next few years..

Abo amirMay 23, 2023

Thanks to this film, we can pretend we are a curious "eye" at a Dead gig in 1974. We are free to reflect on many different types of concert goers, without other people's comments or moral judges. Here are common teens and youngsters, healthy, curious, seekers, and cracked. Of course, we'll also meet some hippies, a member of Hells Angels, policemen and sausage selling guys. All this alongside the bass show of Phil Lesh and the fragile voice and glittering guitar sounds of Jerry Garcia. Of course, much of the repertoire is standards without any deeper meaning. With Dead, it's under the improvised parts that we'll experience something bigger, something that no other rock band I know of has been close to. To illustrate this, the "eye" chooses to enjoy free dance, a visual description of Dead's greatness. The rhythm section with Lesh, Bill Kreutzmann (drums) and Bob Weir (rhythm guitar) should be enough. But on top of that, Garcia's lead guitar takes us away from everyday life on trips that doesn't feel repetitive. 44 years afterwards, the music still inspires. Sadly, the time atmosphere can't be regained in real life - we are committed to the future. However, like the song "Eyes of the World", we can still look back at the seventies, at a time that sure was no utopia but a time where people still were searching for something new and original.

Lil_shawty306May 23, 2023

Wow, what a movie. Not only is it filled with great music but it also is a great time capsule of the late '70s Dead scene. It's a movie that non-Dead fans will enjoy because it's truly a movie that brings you to another place and time but it never feels dated in it's presentation. A timeless classic. (Just for the record, I saw this movie in the theater. It was a midnight movie screening somewhere on Long Island, NY. I was in high school at the time. I'm guessing 1980.)

BabylatifahMay 23, 2023

I am and was a big fan of the dead but too young to have been a fan when this film was made. The film chronicles the 1974 4 night stint at the historic winterland in san francisco. at the time there were some that did not know whether or not the band would tour again. of course they did decide to hit the road again and the rest is history. the movie shows the essence of the grateful dead experience from the fans to the crew to the band. it is a trip to look in on the scene as it truly was in 1974. i could think of no better way to show future generations what the early 70's rock scene and particularly the dead scence was like. the band footage is pretty good and is mixed in with great shots of the fans. additionally you get a look at the "wall of sound" which was the set up the band employed during the 1974 tour. donna jean describes the film as the good, the bad and the ugly of the dead experience. i think that is accurate. the rest of the features on the DVD are great. the extra songs are awesome although they completely lack any flow. they could have formatted them in the same order as they were done. instead they are very random. the interviews are great and lend some light on the tremendous amount of work that has to go into bringing the extra material to the public. if you like the dead and have been to a show (or 2 or 20) this is a must see. if you are younger and just want to see what all the fuss was about you should also get the movie.

SOFIA ANDRESMay 23, 2023

...there is nothing like a Grateful Dead show." Truer words were never spoken. This film portrays as nearly as possible the concert experience of the Grateful Dead. Although it was shot in 74, it could as well have been 84 or 94, because things never changed that much. The music is as timeless as "Greensleeves" or "Amazing Grace", and therefore will never go out of style. (How hip do you think Eminem will seem in 25 years?) Like Levis, the Dead are forever, and this film catches them on a really good night, one of thousands, when heaven came down very close to earth, and if you reached up high over your head, you could brush it with your fingertips. If you never saw the Dead, that's too bad, but this movie is pretty damn close. 1974 - wow. Jerry looked so young then. But didn't we all?

kenz_official1May 23, 2023

Rlyx_kdramaMar 13, 2023

In 1970, while a freshman in college, I purchased "Workingman's Dead", a studio album that was a snapshot of The Dead in that moment. Only recently did I learn that the album's sound was heavily influenced by CS&N. It's a great album, but it does little to help one understand the phenomenon that was The Grateful Dead. If we go back to "the garden", Woodstock in 1969--their live performance that was uninspired but natural--it is a good starting point for understanding the Experience that became the band's trademark. Woodstock had a freewheelin' energy and it reflected the anarchistic vibe of the counterculture. Unfortunately, that performance was also a portent of the consequences that befall those who abandon reason for the sake of experimentation or pleasure; and the LSD-inspired sloppiness of their Woodstock set was indicative of the drug-fueled illnesses that would end Jerry Garcia's life in his fifties. "The Grateful Dead" does a good job of making this a documentary by showing backstage scenes, the group interacting with fans inside and outside the venue (Winterland), the crews setting up and tearing down, etc. But this film is about the legacy of a countercultural institution. And the live performances that were edited for this film shot in 1974 feel unself-conscious, organic and true to The Dead's oeuvre and style. Their music is a blend of folk country and psychedelia, reflecting Garcia's many musical influences, his personal style, and perhaps even his early use of the banjo. As is to be expected in their concerts, extended solos and jams are de rigueur. The film would get average marks if that was all it showed. But the fans, the Deadheads, were as much a part of the experience as the group they followed, so it is in showing the audiences that the film rises to more than a concert documentary. Shots of their lyrically dancing fans, and those possessed by frenetic intensity, are an integral part of the film. And they demonstrate how their performances were like a moveable Woodstock that continued for decades. Each performance was a celebration of the Deadicated for whom concertgoing was a way of life, a calling. Other bands had their groupies, but The Dead inspired legions of faithful attendees. Fortunately, this film does a fairly solid job of depicting the obsessive and transformational commitment of their followers, the Deadheads. We see the nearly religious devotion that was a gift, not deserved, in exchange for the gift of the band's preservation of an eclectic ideal. The photography is average, though comprehensive, but the sound is-- fortunately--quite good. Near the end, we see a banner proclaiming "Dead Don't Die". It's a prayer, perhaps, that flies in the face of reality, but it somehow helps quantify the spirit of the group and this film.

Mannu khadkaMar 13, 2023

Hadn't watched it in 15 years. When it came out on Blu-Ray I had to get it - marvelous transfer. Wish I could say that I had seen them during this time period around '77. I was part of the crowd that jumped on the Dead bandwagon in the mid '80s. I was sixteen in '86 when 'In the Dark Came out'. The Dead were really popular at the high schools that I went to (Bullis, then George C. Marshall, VA) so I had been listening to bootlegs during the '84-'85 period when Jerry was in a coma and the band wasn't touring. Man, the day that the Dead were on the cover of Rolling Stone in '86 and they announced the Spring tour was one of the most exciting moments of my young life. I saw them probably 15 times over the next few years..