Title DossierComédie

Touchy Feely

ComédieDrame

A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's floundering dental practice receives new life when clients seek out his healing touch.

Année

2014

Durée

1h 29m

IMDb

5.3

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Casting

Rosemarie DeWitt

Abby

Elliot Page

Jenny

Josh Pais

Paul

Casting

Rosemarie DeWitt

Abby

Elliot Page

Jenny

Josh Pais

Paul

AW

Amber Wolfe Wollam

Massage Client #1

Scoot McNairy

Jesse

ER

Ethel R. Deans

Mrs. Elvsted

Shannon Kipp

Susan

Allison Janney

Bronwyn

TN

Tomo Nakayama

Henry

KD

Khanh Doan

Massage Client #2

RM

Ruth McRee

Mrs. Olsen

Ron Livingston

Adrian

Alycia Delmore

Ellen

DM

Daniel Malony

Bike Shop Co-Worker

HA

Hans Altwies

Mr. Frobischer

Sean Nelson

Grateful Man

AT

Amy Thone

Hopeful Woman

Kate Bayley

Scared Woman

Bande-annonce

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Commentaires

10 commentaires

uppoompatJul 31, 2023

This film, by a favourite and gone all too soon director, is very much deserving of a watch and very much recommended. Its script is brilliant, featuring lots of well written drama and humour, and the cinematography, cutting and editing is splendid. It is so beautifully shot and put together overall, and all in a very unique fashion that feels very characteristic of the director. Overall, an incredible, very witty, clever and dramatic piece with great acting, great cinematography and yet another testament to the provice of this director. Give it a watch for sure, it is a brilliant piece very much!

Samikshya BasnetJun 20, 2023

I wanted to love this movie, it feels exactly like the type of movie in which that would happen. It started off so strongly and I was convinced that it would be one of my favorite films of the year. And then it just kind of died. The actors were all great and it is hard for me not to love anything Allison Janney is involved with. I just can't quite put my finger on what happened here. Rosemarie DeWitt is a masseuse who is suddenly turned off by skin and physical contact and this creates a barrier with her job as well as her boyfriend. Josh Pais is her brother, a dentist who borders on being seemingly autistic and really has no joy or connection with anyone in the world, including his daughter (Ellen Page) who feels trapped working with her father at his office. Pais goes to see Allison Janney (a masseuse working with DeWitt) and is inspired to have connections of his own, but we never really see it come to fruition in any meaningful way that makes any sense. Which is how I felt about most of the situations in the film. The parts with the father coming to Allison Janney for the first time and the great interaction and natural acting of the family all getting together for that first dinner were perfect. But then everything just kind of flattens out and people get worse and try various things to get better and some of it works and some is sort of unresolved and we never quite go beyond that. I was quite surprised to find that this film was under 90 minutes because when it was nearly over, I found myself wondering just when it was going to end because it felt so long. There are voice-over and music montages where we see what the various characters are going through that just feel like they are twice as long as they should be. And those are the types of scenes I typically love so I really wish they had landed in this film. I think if I had cared more about the characters and they weren't just odd caricatures as the film went on, it would have maybe had more impact. The acting was all really great though and I loved the cast. They did well with what felt like half-baked characters and certainly elevated the film in that regard. Things resolve themselves for the characters without any real feeling of why but I didn't depart with any real personal resolution from the audience standpoint.

Angii EsmiiJun 20, 2023

...For a useless little effort of a movie. If the writers and producers create a film with one completly strange and mysterious plot device and then proceed to offer no explanation of it whatsoever, I write them off immediately. Such is the case with this movie. Absolutely no effort is put into explaining the dentist's strange healing powers. This is artistically lazy and uncreative. It's supposed to render the film with a more important human element and deeper meaning. But that's an artistic ploy- like the old, cheesy sci fi films that featured an impossibly weird monster, but never explained how in the world the monster came into being. Or even why said monster is now living in the middle of NYC. Lazy. Like my review. Ignore both.

𝔸𝕓𝕕𝕚𝕗𝕒𝕥𝕒𝕙-𝕔𝕨Jun 20, 2023

Being a fan of indies and a fan of DeWitt & Page, I was eager to check this one out. Even the public story-line ("massage therapist's sudden aversion to bodily contact") sounded promising. Well, I was mildly disappointed, but there are definitely a lot of goodies here: good acting, interesting characters & dynamics in certain scenes... My only problem is, that they don't add up to a whole - they remain valuable flickers of light without creating a rounded off piece of art. Kind of work-in-progress feeling here... **** SPOILER **** With Abby (DeWitt) & her brother Paul (Pais), things turn for the better after they take Ecstasy. Abby (DeWitt) faces her first crush, just like Jenny (Page) faces her crush, too, who is actually Abby's boyfriend, Jesse (McNairy). After facing their respective crushes, both opt to 'play safe' - Abby returning to her boyfriend, Jenny giving the green light to a guy who cares for her for a long time. OOOKAY, SO THE MESSAGE HERE IS...??? **** END OF SPOILER ****

graceburoko3Jun 20, 2023

I'm really surprised at the bad reviews and that I've never heard of this movie. I loved how real the characters were... I don't know, it's like you could feel the ache it felt to be alive. They were all so real in their own quirky ways. And I could not get enough of of Josh Pais and his flat affect self. He was so tortured it was enduring somehow. So real and so raw. All the characters beautifully portrayed. I loved this movie... I never really leave reviews. But I felt I had to counter some of these bad reviews. If you're on the fence regarding watching this - watch it - you won't be sorry.

leong_munyeeJun 20, 2023

Well, like I'm sure many have, I also claimed to wanting to watch DeWitt in almost anything. 'YSS/Your sister's sister' was followed by that fracking movie with Matt Damon and John Krasinski, in which DeWitt didn't have much to do, but hey, she was there, the voice of Damon's conscience (mm-hmm). Well, she's in this one too, re-teaming with her YSS director, Lynn Shelton. It's a surreal kinda tale, with the tone weaving more towards the comedic rather than the dramatic, which was the strength of YSS. It spins 2 parallel tales of siblings, where one's fortune in their chosen profession takes off, along with cementing certain personal relationships as well, while the other's fortunes nosedive in parallel. While observing both these whimsical tales is interesting, strangely enough, there's a connection lacking between the protagonists and us, the audience. The cast's fantastic, with Alison Janney having a nice coupla scenes (but not enough, esp. towards the end), along with Ellen 'Juno' Page, Scoot 'Killing them softly' 'Argo' 'In search of a midnight kiss' McNairy and Ron 'Office Space' 'Swingers' 'Drinking Buddies' Livingston (who's in this for 1 scene, sorry RL fans). All of that casting comes to naught though, and I classify this under being one of those 'missed efforts', of which there seem to be so much floating out there. Still, its an Indie, and its got Rosemarie DeWitt, and I'd watch her in anything, even repeatedly. Its also surprising that the movie doesn't use one of its key conceits (that kinda makes its appearance a little bit towards the end) to more effect, in spite of its having been 'used' by both of its key protagonists. And what does each 'learn' from their predicament - no answer. Where is their arc? Maybe there was one, but I definitely missed it. Why don't we go deeper into the metaphors for 'massage', 'Reiki' (one needs touch, and the other uses your 'aura', therefore needing no touch - what do they mean to one another in the context of this flick) and even 'dentistry' - no clue. All of this came across as kinda half-baked, but perhaps Shelton was leaning towards being abstract, the way most Indies wanna get to be. I did not get it the way it was perhaps intended. Well, all that being said, I need to watch it for DeWitt once again, though its kinda surprising that Pais gets more screen-time than she does.

🥰BJun 20, 2023

'TOUCHY FEELY': Two and a Half Stars (Out of Five) Another comedy-drama film about relationships from writer/director Lynn Shelton. Shelton also wrote and directed the 2009' film 'HUMPDAY' and 2011's 'YOUR SISTER'S SISTER' (which was a better movie). One of the stars of 'YOUR SISTER'S SISTER', Rosemarie DeWitt, also stars in this film along with Ellen Page, Josh Pais, Scoot McNairy, Allison Janney, Tomo Nakayama and Ron Livingston. The movie is about a dentist and his daughter struggling to revive their dental business and the dentist's sister, who's a massage therapist, that suddenly loses her ability to touch another human being (out of fear). It's quirky and oddly funny at times but never very touching or as emotionally moving as it would like to be. DeWitt plays Abby, a massage therapist who's boyfriend Jesse (McNairy) just asked her to move in with him. This scares her, as her last relationship was a hard breakup, and she starts having panic attacks that prevent her from doing her job. Her brother Paul (Pais) is a very conservative and anal dentist who lives in their parents' old house with his daughter Jenny (Page). Jenny is Paul's assistant at his dental practice, where business has been extremely slow. One day Jenny invites her friend Henry (Tomo Nakayama) in for a free cleaning and when her father heals his long time tooth pains their reputation picks up and so does their business. The movie is interesting and entertaining enough while you're watching it but once it's over it doesn't really leave you with much to think about. That's good enough for some movies but I think a film like this really wants to accomplish a lot more. The cast is all great (I think DeWitt is gorgeous and I've been a fan of Page ever since 'JUNO') and the characters are likable but I don't think the resolutions to their problems are very satisfactory. It's oddly funny but never hilarious and is frequently on the verge of being emotionally moving but never quite gets there. It all seems just a little too uneventful in the end. Not a bad film but not an especially good one either. Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=nDElhat3XPM

Black Rainbow 🌈Jun 20, 2023

"Due to some unforeseen circumstances I will not be seeing clients for the time being." I was a huge admirer of Lynn Shelton's film, Your Sister's Sister, and I even included it on my list of the best movies of 2011 so I was eagerly anticipating what she would do next. I loved the way she captured those characters in such an authentic way and I was onboard for her mumblecore experimentation once again. Knowing that Rosemarie DeWitt was going to be back for the lead role was one of the main reasons I included Touchy Feely in my most anticipated movies of the year list. It didn't hurt either that Ellen Page was going to play a supporting role since I was a huge fan of her work in Hard Candy and Juno. Everything about Touchy Feely had my expectations high rocketed to the sky, but then 2012 came and poor word of mouth lowered my expectations to such a degree that I never ended up seeing it until now. It was a major letdown and it made Lynn's previous film, Laggies, seem like a masterpiece next to this. This is a dramedy that feels completely uneven and the plot doesn't seem to go anywhere. I didn't like any of the characters here and their motivations were hard to understand at times. The film was a mess and the pacing was so slow that this 90 minute film felt like it was three hours long. For a film trying to explore the interrelationships between these characters there was nothing to be said or discovered. Even the actors seemed to be lost and not fully understanding what their characters motivations really were. Abby (Rosemarie DeWitt), a successful message therapist, and her boyfriend Jesse (Scoot McNairy) are enjoying a lovely dinner at her brother Paul's (Josh Pais) home. Paul, emotionally distant and a bit depressed, lives with his daughter Jenny (Ellen Page) who has sacrificed her personal dreams to assist her father at his dental practice, which isn't exactly flourishing. Abby on the other hand is sought after for her great hands and seems to be going through a good moment in her life. She recommends his brother visit her Reiki instructor, Bronwyn (Allison Janney), who has done amazing things for her. Things take an unexpected turn in the family dynamics however when Abby suddenly develops a strange aversion towards skin which affects her work life. After Paul helps one of his patients recover from a terrible tooth pain, his dental practice begins to flourish due to the positive word of mouth his "healing hands" are receiving. While his relationship with his daughter seems to be getting stronger, Abbie's new aversion to skin affects her relationship with Jesse. Despite the pretty original premise the film fails to explore Abby's problem. It's just a technique used to shake the interpersonal relationship in the family, but there is nothing that Lynn is trying to explore with her new found aversion. I really didn't understand why her character didn't simply explain to Jesse what she was going through because I'm sure he would've understood. He seemed like a pretty comprehensive type of guy. The introduction of Ron Livingston's character only feels like a filler and doesn't do anything to build the story. Ellen Page delivers a solid performance once again, but her character is trapped inside her emotional wall which doesn't allow her to fully blossom. Pais and DeWitt are the true stars of the film and their performances are the highlight of this forgettable film. Pais especially captures the eccentricities of his character in a rather natural way. I found the New Age mysticism in the film a bit too preachy and the indie quirkiness a bit too familiar. The tone of the film just dragged it down for me and I had a hard time relating to the characters or caring for any of them. http://estebueno10.blogspot.com/

SimiJun 20, 2023

It is listed as a comedy, but you won't be laughing. This is a story about a family of frail people who finally as one start to open up to the world around them. Each of them has their own protective layer that they need to break out of, and it is really not funny to watch. It is not a bad story, and it is told by a great cast, and the rural Seattle area looks great in the travel montages. I didn't like it, but you probably will. And Ellen Page is just so tiny, and broken in this her character never seems to really get better, and then she does no reason why. You could say that the healing of her Aunt, and Father was what she needed to heal herself, but you never see her actually healed as a result, just the result itself.

Maki NthetheJun 20, 2023

I don't "get" Touchy Feely, is there a message one can learn from watching this movie? The Characters are dull and it's as if we're watching a movie that's been put on because the late night infomercial tapes aren't working, at no point is any relevant plot established and the acting is awkward at best. When the Dentists unexplained phenomenal healing touch diminishes and the professional massage therapist decides she is sickened by the thing she has chosen as a career the characters turn to drug use to solve there problems, the most meaningful conversation is when the father and daughter sit at the table after there one night bender and don't say anything at all. One redeeming factor is Ellen Page she is as cute as always she earns all 3 stars I give this midday (watch as you cook or background noise) movie.