Title DossierDrama

Time Is Up 2

DramaPercintaan

Vivien menemani pasangannya Roy ke rumah masa kecilnya untuk mempersiapkan penjualan properti keluarga. Hubungan mereka terancam ketika rahasia dari masa lalu Roy terungkap.

Tahun

2022

Durasi

1h 31m

IMDb

3.3

Tonton Sekarang

Poster Feed

Pemeran

Elisa Amoruso

Director

Bella Thorne

Vivien

Michael E. Rodgers

Thomas

Pemeran

Elisa Amoruso

Director

Bella Thorne

Vivien

Michael E. Rodgers

Thomas

Alma Noce

Anna

EM

Edoardo Miulli

Ruolo Roy Bambino

Benjamin Mascolo

Roy

Simone Coppo

Tony

Elisa Amoruso

Writer

MB

Marco Borromei

Writer

Justin Kohlas

Writer

AR

Anita Rivaroli

Writer

Trailer

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Game Instan

Gamixo

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Short Drama

VSKIT Drama

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Komentar

10 Komentar

Abdulkadir Asmau YammamaJul 21, 2026

movie Italian

Cailee SpaenyJun 24, 2026

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ALEX EkgyJan 24, 2026

áudio e linguagem tudo português

Dj venomFeb 7, 2025

best movie ever 😍😍😍

Theophile TafonDec 26, 2024

👍👍👍

Netra TimsinaJul 15, 2024

eartghull❤Jul 15, 2024

منير رضاJul 15, 2024

Cutboy MsongaJun 30, 2024

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الأيادي الطيبةMay 23, 2023

The perfect ingredients for a functional teen movie, in Time Is Up 2 - Game of Love, are all there: a breathtaking setting, contrasts between the protagonists and a new love on the horizon. All according to plan then, at least on the theoretical level. In practice, however, what appears to be a mere re-proposition of narrative and directorial schemes seen continuously on screen, turns into a story that unfortunately does not convince immediately: too many forcing, a series of flashbacks that in a short time have already exhausted their sense of existing, a mystery that was already revealed at the origin. The entire film is therefore based on a plot twist that the spectators, even the most inattentive, have grasped from the beginning and this inevitably compromises the functionality of the plot. Unfortunately, it is not the only obstacle that can be noticed within the narrative: the plot, which in addition to the main characters involves new entries among which Anna (Alma Noce) and Tony (Simone Coppo) stand out, always seems to remain in the same point without ever leaving a comfort zone which, we repeat, is not so solid as to guarantee effective development, even if derivative.